by Jason Joyner | Nov 1, 2007 | Biblical worldview, Blog, CBA, fiction, violence, writing craft
Philippians 4:7-9
And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.
Finally, brothers, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things. Whatever you have learned or received or heard from me, or seen in me—put it into practice. And the God of peace will be with you.
I’ve been heading each of these posts with examples from the Bible of violence. In winding down, I thought that this completely different passage was appropriate, but it needs explanation.
I’ve seen this beautiful Scripture used as a bludgeon on anything that didn’t meet one person’s view of “whatever is lovely, pure,” or etc. I don’t think it is meant to be used like that, and it is definitely not my intention in this argument to do that either. I even debated whether to use this verse because of past misuse of it, but I felt that it still had an important consideration.
I’ve honestly meditated about this, and I’ve decided you can’t use “lovely” or “pure” to the exception of “admirable,” “noble,” and “right.” Some may argue that an author shouldn’t use any violence or portray a dangerous situation without blood and gore. I don’t agree. The contrast from showing true nobility overcoming true evil is a powerful image in fiction.
This leads to context. Sometimes, even most times will call for an example of the trial the protagonist. A hero escaping mortal danger is inherently more dramatic than our hero escaping from a group of grey-haired grandmas at a potluck accosting him for having a tattoo. It is a potent tool to let us see, hear, feel, smell, or taste the danger.
So the use of violence can clearly fall under the guidance of Phil 4:8. I thought today would be the end, but this topic fleshed out more than I intended, so I’ll finish up (likely…) tomorrow.
by Jason Joyner | Nov 1, 2007 | Biblical worldview, Blog, CBA, fiction, violence, writing craft
Philippians 4:7-9
And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.
Finally, brothers, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things. Whatever you have learned or received or heard from me, or seen in me—put it into practice. And the God of peace will be with you.
I’ve been heading each of these posts with examples from the Bible of violence. In winding down, I thought that this completely different passage was appropriate, but it needs explanation.
I’ve seen this beautiful Scripture used as a bludgeon on anything that didn’t meet one person’s view of “whatever is lovely, pure,” or etc. I don’t think it is meant to be used like that, and it is definitely not my intention in this argument to do that either. I even debated whether to use this verse because of past misuse of it, but I felt that it still had an important consideration.
I’ve honestly meditated about this, and I’ve decided you can’t use “lovely” or “pure” to the exception of “admirable,” “noble,” and “right.” Some may argue that an author shouldn’t use any violence or portray a dangerous situation without blood and gore. I don’t agree. The contrast from showing true nobility overcoming true evil is a powerful image in fiction.
This leads to context. Sometimes, even most times will call for an example of the trial the protagonist. A hero escaping mortal danger is inherently more dramatic than our hero escaping from a group of grey-haired grandmas at a potluck accosting him for having a tattoo. It is a potent tool to let us see, hear, feel, smell, or taste the danger.
So the use of violence can clearly fall under the guidance of Phil 4:8. I thought today would be the end, but this topic fleshed out more than I intended, so I’ll finish up (likely…) tomorrow.
by Jason Joyner | Oct 30, 2007 | Biblical worldview, Blog, CBA, fiction, violence, writing craft
Psalm 137: 8-9
O Daughter of Babylon, doomed to destruction,
happy is he who repays you
for what you have done to us-
he who seizes your infants
and dashes them against the rocks.
Yesterday I talked about the Bible and violence within Scripture. The main points were that yes, the Bible has violence in it; it is not very graphic; however it is not written as entertainment – the literary purpose is different.
What about the influence of other media? You can use the terms “the world,” “secular,” or “non-Christian” for this question. What kind of influence does shows like CSI, authors like Stephen King, and movies from Silence of the Lambs to Saw have on authors of Christian fiction.
That question will have to be addressed to specific authors, I’m afraid. TL Hines, author of Waking Lazarus and The Dead Whisper On, admits to being a fan of Stephen King. While Hines writes some intense fiction, even though he looks to King as an influence, his writing does not approach the horror master in terms of graphicness.
The influence of secular media also plays a role in the reader. I’ve read one Stephen King book, and still wish I hadn’t. I recall that he was very good with suspense, but the subject matter was not something I want to partake in anymore. I’ve read one James Patterson book. Besides my feeling that his writing is shallow and low quality, his cavalier language and treatment of violence left a nasty taste that still regurgitates anytime I see one of his titles.
Someone who is more comfortable reading King or Patterson, or who routinely watches CSI type shows may be more accepting of levels of violence. Perhaps I’m not the best person to address this subject. As others have mentioned in the comments, it does depend on the comfort level of the individual reader. Some people shouldn’t read certain types of books.
Yet the discussion here is simply, is there a point of too much in Christian fiction, and if so, what is that point? I think this can be asked by anyone. I also think I’ve covered the most important variables that relate to this topic. Tune in tomorrow for the exciting conclusion!
by Jason Joyner | Oct 30, 2007 | Biblical worldview, Blog, CBA, fiction, violence, writing craft
Psalm 137: 8-9
O Daughter of Babylon, doomed to destruction,
happy is he who repays you
for what you have done to us-
he who seizes your infants
and dashes them against the rocks.
Yesterday I talked about the Bible and violence within Scripture. The main points were that yes, the Bible has violence in it; it is not very graphic; however it is not written as entertainment – the literary purpose is different.
What about the influence of other media? You can use the terms “the world,” “secular,” or “non-Christian” for this question. What kind of influence does shows like CSI, authors like Stephen King, and movies from Silence of the Lambs to Saw have on authors of Christian fiction.
That question will have to be addressed to specific authors, I’m afraid. TL Hines, author of Waking Lazarus and The Dead Whisper On, admits to being a fan of Stephen King. While Hines writes some intense fiction, even though he looks to King as an influence, his writing does not approach the horror master in terms of graphicness.
The influence of secular media also plays a role in the reader. I’ve read one Stephen King book, and still wish I hadn’t. I recall that he was very good with suspense, but the subject matter was not something I want to partake in anymore. I’ve read one James Patterson book. Besides my feeling that his writing is shallow and low quality, his cavalier language and treatment of violence left a nasty taste that still regurgitates anytime I see one of his titles.
Someone who is more comfortable reading King or Patterson, or who routinely watches CSI type shows may be more accepting of levels of violence. Perhaps I’m not the best person to address this subject. As others have mentioned in the comments, it does depend on the comfort level of the individual reader. Some people shouldn’t read certain types of books.
Yet the discussion here is simply, is there a point of too much in Christian fiction, and if so, what is that point? I think this can be asked by anyone. I also think I’ve covered the most important variables that relate to this topic. Tune in tomorrow for the exciting conclusion!
by Jason Joyner | Oct 29, 2007 | Blog, CBA, fiction, violence, writing craft
2 Kings 9:30-37
Then Jehu went to Jezreel. When Jezebel heard about it, she painted her eyes, arranged her hair and looked out of a window. As Jehu entered the gate, she asked, “Have you come in peace, Zimri, you murderer of your master?”
He looked up at the window and called out, “Who is on my side? Who?” Two or three eunuchs looked down at him. “Throw her down!” Jehu said. So they threw her down, and some of her blood spattered the wall and the horses as they trampled her underfoot.
Jehu went in and ate and drank. “Take care of that cursed woman,” he said, “and bury her, for she was a king’s daughter.” But when they went out to bury her, they found nothing except her skull, her feet and her hands. They went back and told Jehu, who said, “This is the word of the LORD that he spoke through his servant Elijah the Tishbite: On the plot of ground at Jezreel dogs will devour Jezebel’s flesh. Jezebel’s body will be like refuse on the ground in the plot at Jezreel, so that no one will be able to say, ‘This is Jezebel.’ “
There have been some great comments so far! I’m enjoying reading them. If you’re new to this discussion, make sure to check them out.
I’ve been starting off these posts with certain Bible stories for a reason. We don’t necessarily have a sanitized, violent-free faith. We know life has violence in it, and if fiction is going to accurately depict stories of life, there are going to be moments of danger, episodes of violence, and people getting hurt and killed. The Bible is definitely not immune to it.
Things aren’t sugar-coated in the Word. The King James Version would use English euphemisms for sexual issues – “Adam knew Eve.” It doesn’t shy away from stating that Sisera had a tent peg hammered through his temple, or like the above example with Jezebel getting trampled and most of her body getting gobbled up like Kibbles and Bits.
I referenced a discussion that went on in September 2006 across several blogs. At Faith * in * Fiction, there was passionate dialogue about this issue (I think Nicole was a part of that one too!). Anyway, Mark Andrew Olsen (author of The Watchers, another CBA novel that had significant violence in the beginning) had a strong response discussing a man who was unfairly arrested, tried, and then beat and tormented with flogging, thorns, and was finally nailed to a tree to hang for his alleged crimes (Olsen wrote that up much better BTW).
Our Lord experienced some of the worst violence that mankind could dish out, all on our behalf. It seems that at times his crucifixion gets rushed by or pushed aside at times by the church, when it was an awful, bloody affair. I remember rehearsing a drama in youth group re-enacting the crucifixion, and those playing soldiers were half-heartedly doing their parts. The pastor saw that and came rushing in, incensed that we were not taking the act seriously and really showing what Jesus went through. Obviously it made an impact on me. It may not be as much of an issue after Passion of the Christ, even though that movie had its criticism for its violence.
Then again, the Biblical authors didn’t really detail gore or what happened. We don’t get descriptions of the blows that drove the tent peg through Sisera’s noggin, or Jael’s thoughts as she did it. The above passage is about as graphic as it gets.
Going back the other way, the Bible is written in different literary forms. History, law, epistles, gospels and so forth. No novels are found in it (no matter what some may say about fiction in the Bible). The passages about Jezebel, Jael, and Jesus are not written for entertainment purposes, but as part of a larger narrative. It didn’t serve the purpose for the author of Judges to write from Jael’s perspective, and they probably wouldn’t have known it anyway. Writing fiction has a very different purpose and different requirements.
Where do we go with this? How does it apply to modern Christian fiction?
by Jason Joyner | Oct 29, 2007 | Blog, CBA, fiction, violence, writing craft
2 Kings 9:30-37
Then Jehu went to Jezreel. When Jezebel heard about it, she painted her eyes, arranged her hair and looked out of a window. As Jehu entered the gate, she asked, “Have you come in peace, Zimri, you murderer of your master?”
He looked up at the window and called out, “Who is on my side? Who?” Two or three eunuchs looked down at him. “Throw her down!” Jehu said. So they threw her down, and some of her blood spattered the wall and the horses as they trampled her underfoot.
Jehu went in and ate and drank. “Take care of that cursed woman,” he said, “and bury her, for she was a king’s daughter.” But when they went out to bury her, they found nothing except her skull, her feet and her hands. They went back and told Jehu, who said, “This is the word of the LORD that he spoke through his servant Elijah the Tishbite: On the plot of ground at Jezreel dogs will devour Jezebel’s flesh. Jezebel’s body will be like refuse on the ground in the plot at Jezreel, so that no one will be able to say, ‘This is Jezebel.’ “
There have been some great comments so far! I’m enjoying reading them. If you’re new to this discussion, make sure to check them out.
I’ve been starting off these posts with certain Bible stories for a reason. We don’t necessarily have a sanitized, violent-free faith. We know life has violence in it, and if fiction is going to accurately depict stories of life, there are going to be moments of danger, episodes of violence, and people getting hurt and killed. The Bible is definitely not immune to it.
Things aren’t sugar-coated in the Word. The King James Version would use English euphemisms for sexual issues – “Adam knew Eve.” It doesn’t shy away from stating that Sisera had a tent peg hammered through his temple, or like the above example with Jezebel getting trampled and most of her body getting gobbled up like Kibbles and Bits.
I referenced a discussion that went on in September 2006 across several blogs. At Faith * in * Fiction, there was passionate dialogue about this issue (I think Nicole was a part of that one too!). Anyway, Mark Andrew Olsen (author of The Watchers, another CBA novel that had significant violence in the beginning) had a strong response discussing a man who was unfairly arrested, tried, and then beat and tormented with flogging, thorns, and was finally nailed to a tree to hang for his alleged crimes (Olsen wrote that up much better BTW).
Our Lord experienced some of the worst violence that mankind could dish out, all on our behalf. It seems that at times his crucifixion gets rushed by or pushed aside at times by the church, when it was an awful, bloody affair. I remember rehearsing a drama in youth group re-enacting the crucifixion, and those playing soldiers were half-heartedly doing their parts. The pastor saw that and came rushing in, incensed that we were not taking the act seriously and really showing what Jesus went through. Obviously it made an impact on me. It may not be as much of an issue after Passion of the Christ, even though that movie had its criticism for its violence.
Then again, the Biblical authors didn’t really detail gore or what happened. We don’t get descriptions of the blows that drove the tent peg through Sisera’s noggin, or Jael’s thoughts as she did it. The above passage is about as graphic as it gets.
Going back the other way, the Bible is written in different literary forms. History, law, epistles, gospels and so forth. No novels are found in it (no matter what some may say about fiction in the Bible). The passages about Jezebel, Jael, and Jesus are not written for entertainment purposes, but as part of a larger narrative. It didn’t serve the purpose for the author of Judges to write from Jael’s perspective, and they probably wouldn’t have known it anyway. Writing fiction has a very different purpose and different requirements.
Where do we go with this? How does it apply to modern Christian fiction?
