by Jason Joyner | Sep 15, 2010 | Blog, CFBA, fiction, reviews, suspense, Ted Dekker
Read on below, to find out about a free giveaway contest!
This week, the CFBA Tour is featuring the latest thriller from Ted Dekker:
Is this the book that changes what Christian fiction can be about? First, the concept:
It is set in Eastern Europe in 1772, a time of war between the Russian and Turkish empires. The small principality of Moldova, neighbor to Transylvania, is wedged between these two powers, and is a strategic interest.
The empress Catherine the Great sends one of her best soldiers, Toma Nicolescu, to guard over the Cantemir estate. This noble family holds the key to politics in this critical area. It is ruled over by the matriarch Kesia Cantemir, and her twin daughters Natasha and Lucine.
Toma enters this world just as a neighboring duke begins to make his presence known to the Cantemirs. The dashing Vlad van Valerik has his sights on one of the Cantemir twins. But Toma has been smitten by one of the beauties as well.
As passions intertwine, a torrid love story bursts forth. Evil seduces. Death will be known. Love will bloom. And as the back copy says, “Blood will flow.”
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Ted Dekker is one of the most imaginative writers in CBA fiction today. He writes taut suspense that seldom fails to grip the reader until the last page. He takes chances, and Immanuel’s Veins is a bold thrust against some of the prevailing themes in popular fiction right now.
Dekker will not win over the literati with this novel. This book has a strong idea, and it pushes that idea relentlessly. The two main characters are noble but flawed, and their choices have consequences. Other characters serve the plot, and are not fully fleshed out. In other books, this would bother me. In Immanuel’s Veins, this almost seems necessary, as it is a love affair between two people, in the best sense of the phrase.
It certainly is a sensual book. Dekker dedicates it to King Solomon, he who is often thought to be the author of the Biblical Song of Solomon. He doesn’t hold back in driving home the emotion. He doesn’t titillate, but some may not be able to handle the force he uses to write this book.
Some are saying this is Ted Dekker’s version of a vampire story. I suppose you could say that. Perhaps you should check it out for yourself.
The end point: I am a fan of Dekker’s, but not every book of his is a home run. Immanuel’s Veins is unique in his bibliography, and it is a significant contribution to what fiction can do. I enjoyed it, and I ponder it still. It certainly gets the blood pumping, and it may just be my favorite Dekker book.
He asks the question “what is sacrificial love?” It is a novel written to address that one idea. In conjuction with it, I wrote about it yesterday.
And what did I mean by “Is this the book that changes what Christian fiction can be about?”
Well it seems I’m out of time for today ;). Check back tomorrow for that thought.
And I promised a giveaway! One person who comments on this post will be chosen at random to win a special t-shirt designed by Dekker’s publisher to help share the message “spread the love”. It is a cool T, and I think you’ll like it! Leave a comment, and I’ll choose a winner by Monday, Sept 20.
by Jason Joyner | Jul 14, 2010 | Blog, books, CBA, fiction, reviews
I’ve talked in the last couple of posts about Robin Parrish and his latest novel, Nightmare, a paranormal suspense that has mostly glowing reviews with a couple of people giving a polite cough and wondering if it belongs in “Christian fiction.”
I wonder if a similar situation will occur with the latest
CFBA book tour feature:
Back on Murder by J. Mark Bertrand.
Back on Murder is the first in a series about Houston homicide detective Roland March. The book starts off on a note that doesn’t bode well for keeping a series going: “I’m on the way out.”
March has been a star detective in the past, but events personal and private have sapped him and pushed him to the periphery of his department. Now he handles the garbage cases no one wants, like the bait-and-switch “Cars for Criminals” program and investigating suicides within the department.
When the pretty blonde daughter of a prominent Houston televangelist goes missing, it captures all of the media attention. March ends up helping with a case flying under the radar, a gangbanger murder that seems like a typical hit. This last gasp gives him one last chance, and when he notices signs of something more at the crime scene, he is given a lifeline.
As he chases down leads others disregard, he starts to suspect a connection in these unrelated cases. March maneuvers the politics of the police department, weathers a hurricane along with the turmoil in his personal life, and tries to piece together the disparate clues to see if he can get “back on murder.”
—
J. Mark Bertrand is an author I interacted with on prior writing sites. He is a deep thinker and appreciates quality writing and a artistic use of language. He constantly challenged our group on what it means to write Christian fiction. Therefore I was very intrigued to read his first solo book (he co-authored a romantic suspense with Deeann Gist,
Beguiled).
I linked Nightmare and Back on Murder because they represent new frontiers in Christian/CBA fiction, not because they are very similar. They both take risks that may make some readers a little uncomfortable.
Mark talks in a
guest post at Forensics and Faith how he took risks with his book. Some of it is technique: he tells the book in a first person/present tense point of view. We see the events as Roland March ex
periences them, without a past tense introspection or other viewpoints that lets us see what is occurring elsewhere. The other risk is that there is a lot of ambiguity with the book. March is not a Christian, but he interacts with people from the
megachurch as they search for the missing daughter. Bertrand doesn’t shy away from subtle critique through March’s viewpoint, but he doesn’t preach through it.
So what about the story? It is a bit of a slow burn. It builds up carefully at first. There was enough to whet my appetite, but at times the action isn’t moving along as fast as a popcorn-special-effects cop flick. There is a little perseverance require to get the payoff as different threads slowly weave together. Mark does a good job of keeping some cards hidden for a long time, like the personal trauma that affects Roland in his marriage and work. The first third of the book suffers a little drag at times, but again, there is a rich and exciting ride that follows. The ending keeps the reader guessing, and there is a wrap-up on most points while leaving some questions hang for another book.
The characters are quite deep. Roland March has a voice that seems very authentic for a jaded detective. Other characters are fleshed out convincingly, and there are shades of grey all around. It isn’t a book where the bad guys twist mustaches or the good guys wear white hats. There’s a lot to plumb out of these flawed people.
How does it push the boundaries of the
CBA? Well, there is no clear-cut declaration of faith (which isn’t AS edgy anymore.) I’m not a big reader of detective mysteries, but it gives a realistic view of life as a detective with the grittiness intact. Faith interacts with the story, but it isn’t always pretty. Still, Mark does a great job looking at some modern Evangelical flaws without cynacism.
I think the biggest push is that the book isn’t neat and tidy. Hard things happen, the miracles aren’t always apparent, but hope is not lost. I think it has a distinctive voice that is unlike most CBA books.
This is where Nightmare and Back on Murder come back together. In reading reviews on Amazon (in general) I get the feeling a lot of CBA readers like uplifting tales that show life that is a little too polished. Everything gets a happy ending. There are certainly places for those type of books, but if you like a book that examines real life (BoM) or examines the supernatural what-ifs (Nightmare), then the good news is that CBA continues to evolve.
To sum up: Back on Murder asks a little investment, and in return you get a distinctive book that entertains and offers up scenarios that are thoughtful, without the author telling you what to think. I really enjoyed the book, and I will be looking forward to book two, Pattern of Wounds. As I said, this isn’t my typical genre, but Mark Bertand has earned my interest – and you would do well to check it out!
If you want to check out the first chapter of
Back On Murder, go
HERE.
Finally, I have a few more thoughts on Christian/CBA fiction that I’ll hopefully address tomorrow. I’d love to hear anyone’s thoughts on BoM or books in general.
—
by Jason Joyner | Jul 14, 2010 | Blog, books, CBA, fiction, reviews
I’ve talked in the last couple of posts about Robin Parrish and his latest novel, Nightmare, a paranormal suspense that has mostly glowing reviews with a couple of people giving a polite cough and wondering if it belongs in “Christian fiction.”
I wonder if a similar situation will occur with the latest
CFBA book tour feature:
Back on Murder by J. Mark Bertrand.
Back on Murder is the first in a series about Houston homicide detective Roland March. The book starts off on a note that doesn’t bode well for keeping a series going: “I’m on the way out.”
March has been a star detective in the past, but events personal and private have sapped him and pushed him to the periphery of his department. Now he handles the garbage cases no one wants, like the bait-and-switch “Cars for Criminals” program and investigating suicides within the department.
When the pretty blonde daughter of a prominent Houston televangelist goes missing, it captures all of the media attention. March ends up helping with a case flying under the radar, a gangbanger murder that seems like a typical hit. This last gasp gives him one last chance, and when he notices signs of something more at the crime scene, he is given a lifeline.
As he chases down leads others disregard, he starts to suspect a connection in these unrelated cases. March maneuvers the politics of the police department, weathers a hurricane along with the turmoil in his personal life, and tries to piece together the disparate clues to see if he can get “back on murder.”
—
J. Mark Bertrand is an author I interacted with on prior writing sites. He is a deep thinker and appreciates quality writing and a artistic use of language. He constantly challenged our group on what it means to write Christian fiction. Therefore I was very intrigued to read his first solo book (he co-authored a romantic suspense with Deeann Gist,
Beguiled).
I linked Nightmare and Back on Murder because they represent new frontiers in Christian/CBA fiction, not because they are very similar. They both take risks that may make some readers a little uncomfortable.
Mark talks in a
guest post at Forensics and Faith how he took risks with his book. Some of it is technique: he tells the book in a first person/present tense point of view. We see the events as Roland March ex
periences them, without a past tense introspection or other viewpoints that lets us see what is occurring elsewhere. The other risk is that there is a lot of ambiguity with the book. March is not a Christian, but he interacts with people from the
megachurch as they search for the missing daughter. Bertrand doesn’t shy away from subtle critique through March’s viewpoint, but he doesn’t preach through it.
So what about the story? It is a bit of a slow burn. It builds up carefully at first. There was enough to whet my appetite, but at times the action isn’t moving along as fast as a popcorn-special-effects cop flick. There is a little perseverance require to get the payoff as different threads slowly weave together. Mark does a good job of keeping some cards hidden for a long time, like the personal trauma that affects Roland in his marriage and work. The first third of the book suffers a little drag at times, but again, there is a rich and exciting ride that follows. The ending keeps the reader guessing, and there is a wrap-up on most points while leaving some questions hang for another book.
The characters are quite deep. Roland March has a voice that seems very authentic for a jaded detective. Other characters are fleshed out convincingly, and there are shades of grey all around. It isn’t a book where the bad guys twist mustaches or the good guys wear white hats. There’s a lot to plumb out of these flawed people.
How does it push the boundaries of the
CBA? Well, there is no clear-cut declaration of faith (which isn’t AS edgy anymore.) I’m not a big reader of detective mysteries, but it gives a realistic view of life as a detective with the grittiness intact. Faith interacts with the story, but it isn’t always pretty. Still, Mark does a great job looking at some modern Evangelical flaws without cynacism.
I think the biggest push is that the book isn’t neat and tidy. Hard things happen, the miracles aren’t always apparent, but hope is not lost. I think it has a distinctive voice that is unlike most CBA books.
This is where Nightmare and Back on Murder come back together. In reading reviews on Amazon (in general) I get the feeling a lot of CBA readers like uplifting tales that show life that is a little too polished. Everything gets a happy ending. There are certainly places for those type of books, but if you like a book that examines real life (BoM) or examines the supernatural what-ifs (Nightmare), then the good news is that CBA continues to evolve.
To sum up: Back on Murder asks a little investment, and in return you get a distinctive book that entertains and offers up scenarios that are thoughtful, without the author telling you what to think. I really enjoyed the book, and I will be looking forward to book two, Pattern of Wounds. As I said, this isn’t my typical genre, but Mark Bertand has earned my interest – and you would do well to check it out!
If you want to check out the first chapter of
Back On Murder, go
HERE.
Finally, I have a few more thoughts on Christian/CBA fiction that I’ll hopefully address tomorrow. I’d love to hear anyone’s thoughts on BoM or books in general.
—
by Jason Joyner | Jun 1, 2010 | Blog, CFBA, fiction, reviews, suspense
I barely missed finishing Travis Thrasher’s latest book, Broken, in time for the CFBA Tour for last week. Here’s my take on the book.
Synopsis:
Laila Torres is a beautiful woman on the outside, by anyone’s standards. Inside she is tormented by choices she has made in the past, and she keeps everyone outside of a shell she has constructed as she tries to run from her past. Holed up in Greenville, South Carolina, working in an inconspicuous job, she is found by a stranger who knows things about her past.
As this stalker haunts her, leaving threatening messages, she starts seeing visions of a dead man. And something more, buried even deeper in the wasteland of her history. Even as a co-worker tries to peel back some of her layers, and her brother tries to track down his long-lost sister, the risks may be too deep for any of them to overcome.
Review:
Nebulous. From Merrian-Webster Online: “lacking clarity of feature or sharpness of outline.” That is the one word that describes Broken the best. Thrasher is staking a claim to the suspense/horror side of Christian fiction. I know other writers that really enjoy his work. As for me, not as much.
There is plenty of building of tension in Broken, and there are some intriguing twists along the way. Laila has a complicated past, so Travis pulls back the layers ever so slowly. This leads to the problem of being nebulous – the book takes too long to develop. By the time I found out certain things that drove along Laila and even other characters, I was reading the book more for obligation than for enjoyment. In trying to keep the mystery hidden, it ends up obscured.
There is some touching resolution towards the end, and I did enjoy that. Some of the circumstances Laila faced did catch my interest to see how she escaped. Still, too much was veiled and strung along by “something in her past is spooking her” throughout the book.
I haven’t really connected with Travis Thrasher’s books in the past, so I think I’ll stop trying. For another point of view, check out my friend Nicole’s take on Broken at her blog, Into the Fire.
—
Disclosure of Material Connection: I’d like to thank Faith Words Publishers for providing me this Book free as part of the CFBA book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
by Jason Joyner | Jun 1, 2010 | Blog, CFBA, fiction, reviews, suspense
I barely missed finishing Travis Thrasher’s latest book, Broken, in time for the CFBA Tour for last week. Here’s my take on the book.
Synopsis:
Laila Torres is a beautiful woman on the outside, by anyone’s standards. Inside she is tormented by choices she has made in the past, and she keeps everyone outside of a shell she has constructed as she tries to run from her past. Holed up in Greenville, South Carolina, working in an inconspicuous job, she is found by a stranger who knows things about her past.
As this stalker haunts her, leaving threatening messages, she starts seeing visions of a dead man. And something more, buried even deeper in the wasteland of her history. Even as a co-worker tries to peel back some of her layers, and her brother tries to track down his long-lost sister, the risks may be too deep for any of them to overcome.
Review:
Nebulous. From Merrian-Webster Online: “lacking clarity of feature or sharpness of outline.” That is the one word that describes Broken the best. Thrasher is staking a claim to the suspense/horror side of Christian fiction. I know other writers that really enjoy his work. As for me, not as much.
There is plenty of building of tension in Broken, and there are some intriguing twists along the way. Laila has a complicated past, so Travis pulls back the layers ever so slowly. This leads to the problem of being nebulous – the book takes too long to develop. By the time I found out certain things that drove along Laila and even other characters, I was reading the book more for obligation than for enjoyment. In trying to keep the mystery hidden, it ends up obscured.
There is some touching resolution towards the end, and I did enjoy that. Some of the circumstances Laila faced did catch my interest to see how she escaped. Still, too much was veiled and strung along by “something in her past is spooking her” throughout the book.
I haven’t really connected with Travis Thrasher’s books in the past, so I think I’ll stop trying. For another point of view, check out my friend Nicole’s take on Broken at her blog, Into the Fire.
—
Disclosure of Material Connection: I’d like to thank Faith Words Publishers for providing me this Book free as part of the CFBA book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
by Jason Joyner | May 15, 2010 | Blog, CFBA, christian fiction, reviews
This week the Christian Fiction Blog Alliance is featuring the debut novel by Gina Holmes, Crossing Oceans.
Gina has a great story behind getting published. She kept plugging away at several novels, as many aspiring writers do. But she couldn’t rest there. She founded the blog Novel Journey, to interview authors and talk about the writing process. As she attracted others to work with her, they turned it into one of Writer’s Digest Top 100 websites for writers for a couple of different years. It has been a resource I have enjoyed, so I was excited for Gina when I saw her book on tour.
Crossing Oceans is the story of a young woman, Jenny Lucas, who has a 5 year old daughter Isabella, and finds that she is dying from stage 4 cancer. She is forced to return to her hometown to face her estranged father, who turned cold and distant after Jenny’s mother died of a different cancer, and to reveal her daughter to the father, David Preston. To complicate matters, her father holds David’s father responsible for her mother’s death.
Jenny must deal with her own struggles with these two men as she determines the best situation for her daughter after she’s gone. The choices she must make test her faith and her resolve to provide the best future for her girl.
At first glance, the title Crossing Oceans doesn’t really give a picture of what the book is about. However, it becomes a powerful metaphor for Jenny’s impending death and trying to share her faith to Isabella that they’ll be together again someday. This book is very touching in its realistic portrayal of the process of dying, and in all of the characters’ battles to live in the midst of death.
The characters are rich and well-done. It is said a good book has characters that stick with the reader after the book is put down. I have pondered Jenny and her childhood friend Craig since finishing, so the proof is in the pudding! The only problem I had is that the author must have a thing for toes (but you’ll have to read the book to find out more…).
Gina’s original forays into fiction involved writing suspense, so her knack for keeping the tension up and the pages turning show through, even though this book is more on the literary side of the scale.
My friend Becky Miller has been posting about whether men can enjoy a book with a female protagonist. I suppose this book gives me reason to say, “I’m a man and I enjoyed this fine work of women’s fiction.” I could’ve gotten choked up a couple of times (since I’m not an emotional guy, this is actually high praise!).
Overall there are a few plot points that seem awfully convenient or get skipped over quickly, but the quality writing, characters, and pacing make Crossing Oceans a striking debut by Gina Holmes. Whether you read women’s fiction or not, this is a well-crafted book that deserves a chance.
If you would like to read the first chapter of Crossing Oceans, go HERE.
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