For today’s Mission Monday, I have brain cramps from a long weekend. However, music is powerful and this video and the lyrics explain the heart of the Father and a missional outlook better than I can.
Courtesy of the newly reformed Audio Adrenaline with the spectacular Kevin Max on vocals, this song instantly became my new favorite of the year. Please check it out. I love the purple and the association with royalty as a thread through the video.
February 27.The rough estimates (rough because the criminals behind this don’t advertise their numbers specifically) for human trafficking are 27-30 million people around the world under some form of modern-day slavery.
The word is getting out more and more. My church joined with thousands of others yesterday for Freedom Sunday, and it was a great blessing.
There are many quality organizations out there who are doing work in various avenues to combat human trafficking. One such group is The A21 Campaign, with a specific focus on Greece and eastern Europe. A comment on their website suggests 80% of their work is awareness – letting people know about the problem and shining the light so that those who hide in the dark with this evil have no place left to cower.
To this end, A21 has partnered with one of the most well-known names in the modern worship movement – Matt and Beth Redman. Along with British hip-hop group LZ7, the Redmans have created a song called “Twenty Seven Million.” The video below was shot when the song debuted at the recent Passion conference.
Today for Missions Monday I have a simple request that can raise awareness for human trafficking. Go to iTunes or Amazon and download the single “Twenty Seven Million” that debuts today in the UK and Australia, and tomorrow in the US. [UPDATE: It is now available in the US!] For the price of a Coca-Cola you can get a song that stirs the soul and lets the world know that we are growing in our knowledge and desire to fight for those who are in bondage to slavery.
Let’s lift our voice for the 27 million!
February 27.The rough estimates (rough because the criminals behind this don’t advertise their numbers specifically) for human trafficking are 27-30 million people around the world under some form of modern-day slavery.
The word is getting out more and more. My church joined with thousands of others yesterday for Freedom Sunday, and it was a great blessing.
There are many quality organizations out there who are doing work in various avenues to combat human trafficking. One such group is The A21 Campaign, with a specific focus on Greece and eastern Europe. A comment on their website suggests 80% of their work is awareness – letting people know about the problem and shining the light so that those who hide in the dark with this evil have no place left to cower.
To this end, A21 has partnered with one of the most well-known names in the modern worship movement – Matt and Beth Redman. Along with British hip-hop group LZ7, the Redmans have created a song called “Twenty Seven Million.” The video below was shot when the song debuted at the recent Passion conference.
Today for Missions Monday I have a simple request that can raise awareness for human trafficking. Go to iTunes or Amazon and download the single “Twenty Seven Million” that debuts today in the UK and Australia, and tomorrow in the US. [UPDATE: It is now available in the US!] For the price of a Coca-Cola you can get a song that stirs the soul and lets the world know that we are growing in our knowledge and desire to fight for those who are in bondage to slavery.
Let’s lift our voice for the 27 million!
I’d like to introduce you to a lovely young woman from New Zealand.
You may not be familiar with her. She’s a singer/songwriter who is gaining an international reputation for her thoughtful, creative music. Hopefully you will become acquainted with her, because her songs are quite beautiful, with a unique sound and a touch of whimsy.
So why am I talking about a kiwi musician on a writing blog?
I follow the publishing industry in general, but the Christian fiction (CBA) arm specifically. The discussion of what is a Christian artist/writer/book is a never ending cycle of back and forth.
As for Brooke, she seems to have two distinct careers. She has released three albums for the mainstream, each progressively doing better first in New Zealand, then internationally. However, you may have heard her music on Sunday mornings as well. Her songs “Hosanna” and “Desert Song” are known worldwide in contemporary worship services, and she has done worship with Hillsongs United in Australia (sometimes as Brooke Ligertwood, her married name).
The interesting part is this dichotomy, where she is a successful artist to a mainstream audience, and can write and sing for a Christian audience without losing her other identity. When asked about “tension” with these two different worlds, she replies in an interview on an Australian website for Christian music:
You can’t put what God is doing on this earth into a box… it can’t be summarised into tidy categories. Whatever God is doing through my life, it’s not just about me. There’s a stirring happening in God’s Church, through the creative arts, creative ministries and other things too… and as time moves on we get closer and closer to Jesus coming back. God has a plan for the whole earth and it involves everyone one of us doing our part — it’s not necessarily going to look like something we can easily understand on the natural. I write worship songs that are for the building up of God’s people in the Church, and I love that because I’m able to express really clearly, and declare uncompromisingly my love for Jesus. But at the same time I recognise the importance of my other songs as being like parables… taking Church to people who would never walk into a church…
She says in the article that she doesn’t consider herself a CCM (Contemporary Christian Music) artist and actually resists it strongly because of concerns about “merchandising the gospel.” I know other artists won’t identify with CCM because of concerns of being pigeonholed and possibly reducing their audience, but I’ve never found a major artist who refuses identification with CCM due to such a conviction.
I like the part where she recognizes some of her songs can be directly worshipful, and others are like parables. One of my favorite bands is Switchfoot, and I think many of their songs work in this way.
Songwriting is a different skill than writing fiction, but I believe the ideas brought out by Brooke in her interview and career offer insight to those pursuing writing fiction and wondering where their work fits. I think a fiction example would be Ted Dekker, who is writing best-sellers in the thriller market, while still pursuing stories that speak more directly to a Christian aspect. His books certainly fit a parable.
I know there is a lot to discuss as far as marketing, reaching audiences, and message, but I think having the concept of parable versus being a direct expression of faith in fiction is one to consider.
For my writer friends – where do your stories fit? Parable or more directly speaking to issues of God and faith? What are books that have done both well?
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Oh, and go check out Brooke’s website for some refreshing music!
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I’d like to introduce you to a lovely young woman from New Zealand.
You may not be familiar with her. She’s a singer/songwriter who is gaining an international reputation for her thoughtful, creative music. Hopefully you will become acquainted with her, because her songs are quite beautiful, with a unique sound and a touch of whimsy.
So why am I talking about a kiwi musician on a writing blog?
I follow the publishing industry in general, but the Christian fiction (CBA) arm specifically. The discussion of what is a Christian artist/writer/book is a never ending cycle of back and forth.
As for Brooke, she seems to have two distinct careers. She has released three albums for the mainstream, each progressively doing better first in New Zealand, then internationally. However, you may have heard her music on Sunday mornings as well. Her songs “Hosanna” and “Desert Song” are known worldwide in contemporary worship services, and she has done worship with Hillsongs United in Australia (sometimes as Brooke Ligertwood, her married name).
The interesting part is this dichotomy, where she is a successful artist to a mainstream audience, and can write and sing for a Christian audience without losing her other identity. When asked about “tension” with these two different worlds, she replies in an interview on an Australian website for Christian music:
You can’t put what God is doing on this earth into a box… it can’t be summarised into tidy categories. Whatever God is doing through my life, it’s not just about me. There’s a stirring happening in God’s Church, through the creative arts, creative ministries and other things too… and as time moves on we get closer and closer to Jesus coming back. God has a plan for the whole earth and it involves everyone one of us doing our part — it’s not necessarily going to look like something we can easily understand on the natural. I write worship songs that are for the building up of God’s people in the Church, and I love that because I’m able to express really clearly, and declare uncompromisingly my love for Jesus. But at the same time I recognise the importance of my other songs as being like parables… taking Church to people who would never walk into a church…
She says in the article that she doesn’t consider herself a CCM (Contemporary Christian Music) artist and actually resists it strongly because of concerns about “merchandising the gospel.” I know other artists won’t identify with CCM because of concerns of being pigeonholed and possibly reducing their audience, but I’ve never found a major artist who refuses identification with CCM due to such a conviction.
I like the part where she recognizes some of her songs can be directly worshipful, and others are like parables. One of my favorite bands is Switchfoot, and I think many of their songs work in this way.
Songwriting is a different skill than writing fiction, but I believe the ideas brought out by Brooke in her interview and career offer insight to those pursuing writing fiction and wondering where their work fits. I think a fiction example would be Ted Dekker, who is writing best-sellers in the thriller market, while still pursuing stories that speak more directly to a Christian aspect. His books certainly fit a parable.
I know there is a lot to discuss as far as marketing, reaching audiences, and message, but I think having the concept of parable versus being a direct expression of faith in fiction is one to consider.
For my writer friends – where do your stories fit? Parable or more directly speaking to issues of God and faith? What are books that have done both well?
—
Oh, and go check out Brooke’s website for some refreshing music!
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Call it a case of “put your money where your mouth is.”
Last week I blogged about The Civil Wars and their debut album, Barton Hollow (or as they pronounce it, “Barton Hawller”). This beautiful set of songs has really captured my attention. It has also forced me to stand on some of the principles I’ve stated at this blog.
Many times I have proclaimed that Christian artists should have the freedom to produce the art they feel called to make, whether it is specifically “Christian” (which is a tricky definition) or not. So many times, we pigeon-hole Christian artists to make a certain type of music, or write only uplifting, God-honoring lyrics.
As far as I know, The Civil Wars are not a “Christian” band. However, Joy Williams had a career in CCM (contemporary Christian music) prior to joining John Paul White to form The Civil Wars. As far as I know, Mr. White has not had such a career.
In the midst of their moving vocals, there are lines such as:
“Ain’t going back to Barton Hollow
Devil gonna follow me e’er I go
Won’t do me no good washing in the river
Can’t no preacher man save my soul”
or
“If I die before I wake
I know the Lord my soul won’t take”
Doesn’t sound like typical CCM fare to me. In fact, initially I stumbled on this a little. It bothered me hearing them sing this at first, because I took it as denying that the Lord can save.
Is this really what they’re saying?
Of course not! I didn’t consider the point of view of the song – from the perspective of a man who has at least robbed a large sum of money, who didn’t think he deserved redemption. It’s a typical theme in Southern music, but I fell into the trap of taking the song very superficially.
How about their first well-known song, Poison and Wine?
“Your mouth is poison, your mouth is wine”
or
“I don’t love you, but I always will”
Honestly, I was disappointed in myself for tripping up over something that wasn’t there. Listening deeper, their lyrics like from Poison and Wine talk about the dichotomy in a relationship that is so strong that sometimes you can’t stand the person, but you can’t be without them. It is honest and provocative in the presentation, but it speaks to a dynamic those of us who have been in a deep relationship can identify with, even if we can’t speak the sentiment.
I’m glad that I can realize and own up to my hypocrisy. Quality art, when it has depth, will challenge us in our preconceived ideas if we let it. If we get tangled up with a superficial glance, then we will miss out on the riches beneath.
The Civil Wars are a band that has found a niche the two artists would never have found alone. I applaud them for their music, and I applaud Joy for running in a new direction. By the way, they are produced by Charlie Peacock, head of the Art House, and a strong Christian who is a creative genius. Also, they sing a song in their live set, “Pray”, that is a strong tune for crying out to Him, without succumbing to Christianese. The surface can be deceiving – the truth lies deeper than that.
Here’s to mining the riches that Jesus our Creator, our Master Artist, has for His people!
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